玖玥文化——启功红竹

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藏品整幅规格: 182cm*57cm

画幅规格:95cm*45












启功先生是当代著名学者、画家和书法家。他著作丰富,通晓语言文字学,甚至对已成为历史陈迹的八股文也很有研究;他做得一手好诗词,同时又是古书画鉴定家,尤精碑帖之学。 欣赏他的书法作品,总要联想到他对碑帖的精深研究,因为他对碑帖的研究和他的书法艺术成就有着不可分割的联系,碑帖之学是明清两代兴起的一门学问。他就是这片园地的开拓者之一。这门学问除夸扬珍异、竞炫收藏的古董藏家不能算外,其路子约分为二类:一是研究其中历史资料,以碑刻文辞证史补事,或校读文辞;二是赏鉴、研究其书法艺术。启功先生兼于两者,更精于后者,他在两者之间融合贯通,其方法突破前人藩篱。启功画作的风格是:构图严谨,手法生动,色彩鲜明,韵味悠长,尤其擅长山水竹石,极富传统文人画的意趣。郑板桥曾在竹石中写道:“咬定青山不放松,立根原在破岩中,千磨万击还坚劲,任尔东西南北风。”根深才能叶茂,做事情一定要学习竹的坚韧精神才能取得成功。中国人对竹子都有一种特殊的感情,也可以说是一份偏爱,翠竹挺拔,亭亭玉立,修长典雅,胸怀大志,既有顽强的气节也有一缕的清香。启功先生以书法名满天下,其绘画作品虽不太多见,但见其红竹也可见其功力深厚、风格明显、脱俗别致,遒劲有力。枝干挺拔,修长,四季青翠,凌霜傲雨,备受国人喜爱,有“梅兰竹菊”四君子之一、”梅松竹“岁寒三友之一等美称。纵观中华五千年历史,竹子曾被不知多少诗人、画家所称颂。它是高风亮节、刚正不阿的性格象征,又有风度翩翩的君子之誉。古语说:”玉可碎而不改其白,竹可焚而不毁其节“,用以比喻人的气节。文人爱竹,不单是爱它的秀美,更因它的高洁,它那刚正不阿的性格,不畏风霜严寒,正是文人学者毕生所追求的,也是做人的根本所在。此画具有极高的市场价值,收藏此画的人都是带着高风亮节的品质和慧眼识珠的见识,真的是英雄所见略同,更是难得一见的珍品。是很好的一个投资方向。




Mr. Qigong is a famous contemporary scholar, painter and calligrapher.He is well versed in language and philology. He even studies the eight-part essay, which has become a historical relic.He is good at poetry, and at the same time he is an expert in ancient painting and calligraphy, especially in the study of tablet art.To appreciate his calligraphy works, we should always think of his profound study of inscription on tablets and posts, because his study of inscription on tablets and posts is inextricably linked with his achievements in calligraphy art. The study of inscription on tablets and posts is a discipline that emerged in the Ming and qing dynasties.He was one of the pioneers of this garden.In addition to boasting about the rare, competitive collection of antiques collectors can not be included in this knowledge, the way is roughly divided into two categories: one is to study the historical data, by the inscription on a tablet evidence history, or school reading literary words;Second, appreciate and study its calligraphy art.Mr Qigong is better at the latter than at the other. He mixes the two in a way that breaks through previous barriers.The style of qigong's paintings is as follows: rigorous composition, vivid technique, bright color, long lasting charm, especially good at landscape bamboo and stone, rich in the interest of traditional literati paintings.Zheng banqiao once wrote in the bamboo stone: "insist on the green mountains do not relax, the roots of the original in the broken rock, thousands of mill ten thousand blow but also strong, rener dong-southwest north wind."Only when the roots are deep can the leaves be luxuriant. Only when we learn from the tough spirit of bamboo can we succeed.Chinese people have a special feeling for bamboo, which can also be said to be a preference for it. It is tall and straight, graceful, slender and elegant, ambitious, with both indomitable integrity and a wisp of fragrance.Mr. Qigong is famous for his calligraphy. Although his paintings are rarely seen, it can be seen that he has profound skills, clear style, free from vulgarity and strong strength.Branches tall and straight, slender, four seasons green, ling frost proud rain, loved by the people, "mei LAN bamboo chrysanthemum" one of the four gentlemen, "plum pine bamboo" one of the three friends of the year old cold, and so on.Throughout China's 5,000 years of history, bamboo has been praised by countless poets and painters.It is the character symbol of high integrity, integrity, and elegant gentleman.As an old saying goes, "jade can be broken without changing its white, and bamboo can be burned without destroying its festival", which is used as a metaphor for human integrity.Literati love bamboo, not only love its beauty, but also because of its noble and clean, its upright and upright character, not afraid of the wind and frost cold, is what literati scholars pursue all their life, is also the fundamental of life.This painting has a high market value, the collectors of this painting are with high quality and insight, really great minds think alike, but also rare treasures.It's a good investment

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